Namibia Air-Safari 2018


August 29 – September 8, 2018.

A ten night, five star fly-in Safari around Namibia with Master of Photography Nick Rains.  Nick will guide your photography practice in the field and then be on hand in the lodges for workshop sessions and editing advice.

The safari takes in the iconic sights of Namibia including the stark landscapes and Desert Adapted Elephants of Damaraland, the famous dead trees of Sossusvlei standing in vivid white dry salt lakes beneath some of the world’s highest sand dunes and the ghost town of Kolmanskop, slowly giving up to the reclaiming sand seas.  We will also visit the villages of the serene and photogenic Himba and Herrero people.

The whole trip is by light plane, a Cessna Caravan. This means that there are no 8 hour drives to get from one place to another and it also means that the group size is very small at a max of 7 guests.

Click here to find out more.

Aerial Australia

My new book is now in the shops or available by mail, signed, from this website. I’ll write a message in it as well if you want to send it as a gift to someone!

182 pages of full colour, case bound.

Order Now!


Photo Basics – Apertures

Banda Neira, Spice Islands

Wide apertures like f1.4 limit the focus to only the eyes – Banda Neira, M-Monochrom. 50mm Summilux.

The aperture is a crucial component of photographic lenses. It’s an adjustable iris mechanism that can be a narrow hole or as wide as the inside of the lens allows. Why is it important? Well, if shutter speeds determine the length of time light shines on a camera’s sensor then the aperture controls the intensity or brightness of that light. Think of it like a pipe. A narrow pipe can only let so much water through in a given amount of time whilst a wider pipe can let through more.

Your eye has an iris, and it will be small on a bright day and wide when the light levels are low. This is exactly how a camera’s aperture works – the aperture controls the intensity of light entering the camera. This is very important for two reasons: Exposure and Depth-of-Field.

Read on for more, and if you find this interesting consider joining me on one of my Leica Akademie workshops – Photo Fundamentals – where I take you through ten different core subjects including Apertures, Shutter Speeds and ISO.

Read more

Six Things you might not know about Photography

(The following article was first published in Australian Photography magazine earlier this year).


Shutter speeds, apertures, focal lengths, camera brands, post processing tricks – these are all essential things to know about and understand, but, beyond the obvious, there are also plenty of aspects of modern photography that are not so well understood – call them photography myths if you like.

Read more

Cuba 2017


Join myself, Nick Rains, and my partner-in-photography, Christian Fletcher,  for a 9 night exploration of Havana and Trinidad on the Caribbean island of Cuba.

The dates are October 16 – 25 2017. As with all my photography tours this is for a small group only – Christian and I take only 8 guests  – so with one instructor per four guests there is ample opportunity for one-on-one advice and feedback.


The price includes twin-share accommodation and is also fully inclusive of all meals, travel on the island, accommodation, drinks, fees. Essentially you enjoy yourself without having to worry about paying for anything. It’s a tried and true approach which all of out past guests have greatly appreciated. You are on holiday to enjoy yourselves and concentrate on shooting awesome images.

The workshop starts and finishes in Havana which is best reached from Australia via Los Angeles, then Mexico and on to Havana. We can recommend a travel manager to assist you with flights if you like.

For Full Details Click Here…

Leica Akademie Masterclass Review


Christmas 2014 and I was in Manilla for an Akademie Masterclass as part of a tour of SE Asia. One of the guests, Raul Echivarre, wrote an in depth review of the proceedings which I link to here because it will give you an excellent idea of what my workshop are all about. Thanks to Raul for his candid assessment.

Raul Echivarre – The Bigger Picture


Leica SL (Type 601) – updated

Leica SL

Here it is, hot off the press, the totally new Leica SL. What does SL stand for? There are many theories but the one I like is that it’s not an SLR (because it’s got no mirror) so therefore it’s an SL.

Regardless of the name, the spec sheet is impressive:

ISO to 50000
Very low noise – ISO6400 is stunningly good
Exposure times up to 30 minutes
11FPS with a 30 image buffer
Autofocus that is blindingly fast, as well as super accurate
Dynamic focus tracking
Focus Peaking for manual focus
Wireless image transfer
Rock solid construction
New lenses – the internally stabilised Vario-Elmarit 24-90 f2.8-4 is available right away
Will take M lenses via adapter, soon to be adapters for other lenses
Video – if you use the MP4 codec the SL will shoot full 1080p HD at 120fps and will record 4K at 24, 25 and 30fps.


Leica SL

Leica SL

I only got my hands on it the other day as the very first production models arrived in Australia. I spent a while shooting around the Melbourne CBD and tried to shoot some difficult situations including inside the NGV at The Hermitage Exhibition (photos were allowed).



The image below is a 100% crop at ISO2200, hand held, f4 @ 1/60th.



These next two were shot at ISO6400 and are completely publishable. Sure, there is a little pixel level noise but it’s sharp and crisp and would pose no problems in a print up to about A2.




This next pair shows how much shadow detail there is in this super-contrasty situation with deep shadow and intense sun in the same shot. No prizes for artistic effect but it’s a good get out of jail card if the light is tricky.



 This next one is in those cool back alleys with the great cafes, near Block Arcade I think. I used ISO3200 this time and I made a 13″x19″ print from this which is quite stunning in its clarity and sharpness. Wish I could show you!


I have not had time to try out the Dynamic Focussing as yet. I had a quick look at it and you can define a focus target with a small green box in the viewfinder. Once ‘locked on’ the AF will keep the focus on the object no matter where it goes in the frame and refocusses as the subject-to-camera distance changes. It looks very promising for portraits.


Another very contrasty scene nicely handled – I don’t know what the dynamic range is but it certainly seems to be plenty.

My impressions so far:

  • The AF is incredibly fast and the joystick control on the camera rear allows you to quickly shift the focus point around the frame, then click it to lock on even whilst you are looking through the viewfinder. Elegant and simple.
  • The EVF is very fine-grained – over 4MP if I remember correctly. This is double that of the Q’s EVF, which got rave reviews in just about every camera magazine and website on the planet. There is absolutely no granularity at all, nor is there any smearing.
  • Oh joy! Exposures up to 30 mins with no limit on what ISO you can use. I can’t wait to try this out for starfield photos.  Imagine the 21mm f1.4 and ISO3200 on this – goodbye noise.
  • Video – if you use the MP4 codec the SL will shoot full 1080p HD at 120fps and will do 4K at 24, 25 and 30fps.
  • Shadow detail is very clean and easily recoverable in Lightroom.
  • I have seen no moire so far, nor CA.
  • Eleven frames per second is superb. I shoot a lot of three image sequences using auto-bracket so getting through the sequence fast is a great when you are hand holding.
  • The camera is built to last. If possible, it’s even more solid than the S. I don’t know what weather sealing is fitted – something I intend to find out more about – but I have no doubt it’s there.
  • In keeping with the Leica design ethic, there are very few external controls – five rear buttons, one rear jockey control, one rear dial, one top dial, two top buttons and one front button. That’s it, very minimal, but everything you need is there.
  • Image quality is, of course, superb.
  • There is an adapter available so you can use existing M-System lenses.
  • Even the included strap is excellent – ergonomic and high friction.

I’ll have more to say over the coming weeks as I get used to this amazing new camera.


Update #1 : November

In manual focus mode there is a DoF readout which is displayed when you hold the shutter button and turn the focussing ring. I am pleased to confirm that the calculation is accurate and uses the correct Circle of Confusion number for the sensor. The readout shows the distance at which the lens is focussed, as well as the DoF in front of and behind the focus point. If the Rear value shows infinity then you have found the hyperfocal distance for that focal length and aperture.

The published specifications say that the camera is fully weather sealed and that the lens has the same water repellent coating as the S. I know from my experience with the S that it’s almost impervious to rain and dust etc, so this is a Very Good Thing.

I was out with the dog today, grabbed this quick shot and was very pleased how accurate the focus was and how crisp the image appeared at ISO800 – you can see me and my wife reflected in his eyeball. Lovely smooth bokeh too – very Leica.

Leica SL

Leica SL


Charlie – Vario-Elmarit 24-90 @f4. 1/250 ISO800

Update #2 : December

New Firmware (1.2) released. Biggest change is the use of the rear joystick to magnify the image for manual lens focussing. This is very effective and makes working with R and M lenses much easier. I will be trying out some R lenses soon…

New images from recent trips:


Fiji : Vario-Elmarit 24-90


Fiji – 18mm Super-Elmar


Uluru – 18mm Super-Elmar ISO3200


Uluru – Vario-Elmarit 24-90


Uluru – Vario-Elmarit 24-90


Brisbane – Vario-Elmarit 24-90


Brisbane – Vario-Elmarit 24-90


Brisbane – Vario-Elmarit 24-90

Full Technical specifications here: Leica SL

New Leica T lenses proving to be excellent.



The new lenses for the T-System which were released at Photokina are exceeding all my expectations. They are both stunningly sharp, right into the corners and really extend the use of the camera. I’m using the touch screen auto focus, as well as the EVF, but I find that working off a tripod and being able to tap the rear screen for to focus is working very nicely. All the shots are focussed where I wanted them to be. Judging manual focus with the longer lens is a little tricky because the focus ring is very sensitive but with the AF being so accurate this is a non-issue.

The 11-23 is the equivalent of a 16-35 and the 55-135 is the equivalent of a 70-200. Check out my Facebook page for more examples as I shoot them.






Namibia Workshop 2016

Fully Booked. Please email me to be added to the wait list – the departure date is a long way off so it is quite possible that a place will become available.

Join Christian Fletcher and myself for 12 day safari through one of the world’s most photogenic locations – Namibia. We will be staying in all the best hotels, flying in our very own fleet of five aircraft and visiting the iconic locations of Kolmanskop, Sossusvlei and other sensational places.

WD Passport Wireless


A new hard drive from WD just arrived – the new My Passport Wireless. I have the 1TB version and what struck me when I took it out of the box was its light weight. I expect any portable single disk HD will weigh much the same but nevertheless, I immediately noticed how modest in size it was – the specs say it weights only 270g.

You can use this HD in various ways:

– As a portable card archive – insert an SD card and the images are immediately sucked off into a dedicated SD card folder on the hard drive. In the field this could be a great way to back up files when you don’t have a laptop handy. I suspect that you’d have to be careful with this drive on location – it’s not ruggedised and actively spinning HDs do not take kindly to being moved or jolted when operating.

I see this feature as being handy to back up files from cards, but not to allow re-use of the cards. There is no direct image verification* so you’d be running blind, trusting that the images were all correctly copied across. Given that the unit is battery powered, this could be a device to take on a multi-day trip when you know you’ll not have a laptop with you.

Copying times are a little on the slow side – using a high end SD card it took slightly over 6 mins to copy 3.3GB of data (108 DNG) files from the card to the Passport. That’s a little under 10MB/s with some of that time being some sort of start up routine since the actual copying light did not start to flash for about 30 secs after I inserted the card. It’s a tolerable performance but a long way short of the 100MB/s I get when using the SD slot in a MacBook Pro with an internal SSD drive. Performance – modest, convenience – excellent.

– As a local wireless hard drive – not much different to connecting by USB cable although this allows access to a sophisticated dashboard and configuration back end where you can set security options etc. I clocked the data rate at about 9MB/s which is adequate but obviously not up to USB speeds.

– As a NAS – connect the Passport to your own local network and it acts as a Network Attached Storage device, accessible from any computer on the same network. This could be very useful for me personally when I conduct workshops – the Passport can act as a shared drive for guests to access workshop sample files, download Tutorial PDFs and videos and upload their own images for sharing amongst the group.

– As a media server able to stream images, music and movies to certain home devices such as XBox, DLNA2 devices and so on.

– As a normal external hard drive connected by USB. This offers the best transfer speeds – I measured it at just under 100MB/s – but this is no different to any other bus-powered portable HD.

How will I use it? I expect it will replace one of my existing travel hard drives from now on, one being my 4TB Passport Pro and the other, previously, being a 1TB WD Firewire drive which I used to connect through the Thunderbolt adapter. With only two USB sockets in MBPs these days, *not* having to use them up to plug in external drives is a bonus. The 4TB Passport Pro connects through Thunderbolt and the new Passport Wireless does not need a socket.

The Pro will be my main high performance drive and the Wireless will act as the second backup drive since my MBP has limited internal storage. In addition, it will get used as a data hub for workshops so I can share files without having to pass around a datastick.

More details here: WD Passport Wireless

*UPDATE: On further investigation, you can verify images which were downloaded directly off SD cards by using a free iOS or Android device called My Cloud which allows your mobile device to directly access the Passport. This allows you to browse the files on the HD and even open them if necessary. The only slight drawback is that it will not preview raw files, only Jpegs but you can at least confirm that the files are there. If you were to shoot raw+Jpeg you would be able to see the Jpeg files as a kind of raw proxy – maybe shoot small Jpegs so as not to take up too much card space. Using the Passport and a smartphone would be a lot lighter than taking a laptop if you were limited by an airline baggage allowance for example.